Friday, 7 March 2008

Yarning - A Verbal Art


Yarning
Telling a sea yarn is an ancient skill and pasttime. We have many of the stories that were told by the many boys and men sailing seas during the four hundred years leading up to the twentieth century. Mariners continue to spin yarns as the while away hours and days.

Spending many months on the waves of vast oceans with many hours confined to vessel with a group of sailors provided an environment in which the imagination grabbed hold. The many hours of sailing would pass into days, the days into weeks, the weeks into months, and occasionally the months into years before a sailor was reunited with his family.

Often, the best yarns were about actual events on board boat. A vessel at sea was a dangerous unpredictable place. In the West end of English Channel storms coming off the Atlantic would regularly blow up suddenly bringing waves over twenty feet.

Inevitably, there would be monster storms with wave over thirty feet, and occasionally during and after the hurricane season, there would be waves within waves within waves within waves within waves, coming from a multitude of directions. In a hurricane there would be a depression, there would be waves coming from one direction for a period and there would be waves coming from another direction for a period all caused by the devastating force of unbelievably strong winds that set currents in motion all across the Atlantic to die down, no one knows where.

The job of the Captain was to use his complete authority in order to have all stations of his command operating smoothly and as a concerted team. In rough weather, the slap of the large waves against the sides of the vessel often tipped it violently forward and back, and from one side to another.

The larger the vessel the greater could be the opposite motion as a wave left a clift edge over which the ship would tumble, not always straight down, but frequently at an angle.

A sailor would develop sea legs that would adjust his balance automatically to the motion of the boat, however, his body could not know the complex patterns of the sea waves slamming the ship up and down, over and about.

My Own Yarn

I once sailed the Atlantic in the proud vessel, the Empress of England. This cruise liner had sailed from Montreal many a time and was used to the waters of the Eastern seaboard. My voyage in 1968 was from the St. Lawrence seaway port of Montreal to the mighty port of Liverpool, England.

It was November 1968, and a hurricane was dying out in the Atlantic. On shore, no-one could guess what was happening hundreds off miles out to sea. The hurricane had not touched land and people breathed a long sigh of relief. A similar event hit the Atlantic in 2000. Another, in 1991. People use the analogy of the monster or perfect storm to describe events in their work.

My experience was that of monster waves as tall as skyscrapers hitting the vessel at half hour intervals. Easily as tall as the vessel itself, the waves made one feel that one was in a rowing boat instead of a huge ship. Our captain wisely allowed the waves to hit the vessel from the side and not head on, as the USS France was doing to its regret. In any event, he probably had no choice because of the difficult of shifting direction of such a large vessel, even with half an hour intervals. Every half hour for about three days, the ship would tip on its side about 30 or more degrees.

On impact of the wave, everyone sitting in chairs on one side of the lounges which were the width of the ship would slide the ships width to the other side. The vessel would then right itself by tipping in the opposite direction, and people would slide backwards to the opposite side. For each wave there were about five such reversals of direction until the ship regained level balance.

I was fortunate that I did not suffer from sea sickness. Nor did I fear the storm because I trusted the Captain and the ship. I was able to run around and help passengers get to their rooms, or pick them up off the floor.

One passenger at night in an outer edge cabin, was tossed out of his bed by a sideward hitting wave that caused the ship to turn on its side. He was thrown onto a cubbard door at the foot of his bed. As the ship turned on its opposite side, he was tossed back into bed. Immediately, the ship adjusted again its balance by tipping in the opposite direction on its side and the passenger was thrown out of his bed onto the cubboard door once again. The ship corrected itself and the passenger was thrown back into bed, but this time the cubboard door flung open and all its contents flew onto the bed with the passenger. As the ship again righted itself, the passenger was thrown back towards the cubboard door, but this time it was open and the passenger ended up inside the cubboard. The door of the cubboard closed behind him and he was knocked unconscious as it slammed his head. The following morning, he was found locked inside the cubboard sleeping soundly.

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The Internet User's Best Kept Secret

Sketches from scratches is a provocative blogspot that has grown out of the Wuh Lax experience. It is eclectic, which means that it might consider just about anything from the simple to the extremely difficult. A scratch can be something that is troubling me or a short line on paper. From a scratch comes a verbal sketch or image sketch of the issue or subject. Other sites have other stuff that should really be of interest to the broad reader. I try to develop themes, but variety often comes before depth. ... more!